FROM: Joey Markham
SUBJECT: REVIEW: "Subway"
DATE: Sat, 28 Dec 1996 00:10:09 -0500 (EST)
ORGANIZATION: None found...
FOLLOWUP-TO: rec.arts.movies.erotica
SUBWAY
director: Stuart Canterbury. Sin City, 1994.
cast: Isis Nile, Tara Monroe, Jasper, Micky Lynn, Rhiannon, Rebecca Wild,
Tony Tedeschi, Buck Adams, Alex Sanders, Dick Nasty.
running time: 70 minutes.
- Isis Nile, Tony Tedeschi
- Rhiannon (anal), Alex Sanders
- Tara Monroe, Jasper
- Micky Lynn, Buck Adams
- Isis Nile, Dick Nasty ; Rebecca Wild (masturbation)
"Honey? You're gonna be late!" shouts Marian (Isis Nile) from a living room.
Jack Reynolds (Tony Tedeschi) enters the room wearing a suit and tie and
lighting up a cigarette. "I'm the boss, baby. I can be late once in a while
if I wanna," he tells her as he sits down next to her and kisses her on the
cheek. We find out Jack's a superintendent of a subway station and he tells
Marian about the Railriders, a group of young adults who get off 'doing it'
down on the tracks. "Doing what?" she grins evilly. "It's like some kind of
initiation into their gang or something," he says. "They're like, having sex
in the tunnels. Some kind of fuckin' perverted thrill out of it. You know,
knowing the train can come along any minute and... lights out!" It sounds
kinky to her. Jack takes another drag and says, "Sounds fuckin' dangerous
to me! Somebody could get killed down there or mamed even." "Maybe that's
why they do it!" she smiles. "Cuz it's exciting! I mean, they've done it
every other place. It's a thrill!" It's no concern of his why they do it.
It's just his job to run them out of there before something bad happens. She
thinks for a bit then asks, "So, you're gonna really run them out of the
subway tunnels?" He says he hopes so then starts to get ready to leave for
work. "But I thought you said you were the boss and you can be as late as
you want to be," she smiles. He looks at her and raises his eyebrows then
decides, "Why not.. city's paying for it!"
- Isis looks nice (but has looked much better) and Tony here has the shoulder
length hair. He tongues her neck to warm her up, they kiss, he sucks on her
nipples then down to her bald pussy. He ends up giving her a fast tonguing
to the likes of Mike Horner. She rewards him with an eager blowjob (she has
her own style where she sucks hard and strokes the shaft to the tip and lets
go like a suction cup) and they do a doggie. A mish follows then he cums on
her pussy. A few nice close-ups of penetration and their enthusiasm make for
an ok scene to start things off.
Over at the subway station. Down in one of the tunnels we see two people
(Rhiannon, Alex Sanders) walking along. Then they stop. Looking around,
Alex (whose character name is either Whistler or Blower) tells her, "It's
about right." "In how long does the subway come?" she asks. "Seven
minutes," he replies. Sometimes it's late, sometimes it's early. "You
willing to take that chance?" he asks. "I want to take it," she says as
she rubs his crotch. "I want to take you.." "So," he asks her. "Have you
figured out what your nickname's gonna be once you're in the club?"
"Caboose," she replies. He says, "Caboose? Subways don't have cabooses."
"Maybe not.. but I do," she says as she raises her skirt. So she asks him
if he's into tunnels. He says yes. "I have three," she tells him, rubbing
her ass against him. "This is going to be the last one you go through."
Up in the office. Jack's on the phone with someone telling them he'll send
some security down in the tunnels to drive the Railriders out of there.
After hanging up, he has a talk with guard Rita Dykler (Tara Monroe). "You
ready to go in the tunnel, Rita?" "As soon as you give the word, Mr.
Reynolds. I figure we're gonna work in teams of two." "Good idea," he says.
"Shouldn't be assuming that these people aren't armed. I mean, we know
they're crazy already. It could be dangerous too." "One thing's for sure,"
she says. "We know they're a danger to themselves." Then they both get to
work. Cut back to the couple in the tunnel.
- I don't find Rhiannon particularly attractive, but this scene was quite hot
in spots. After a boring blowjob, she stands up with her hands against the
wall and Alex eats her out from behind, lowering her panties down her legs
but ripping them apart afterwards. He fingers her ass for a bit then they do
a stand-up doggie (good, but there was looping). Next up is mish, then back
to a doggie for anal (he still pounds away) before pulling out and cumming
all over her ass. Rhiannon is an older looking woman with long dark hair and
medium natural breasts. She seemed eager enough in her moans, but her words
spoke louder than her actions.
A while later. Rita returns with a thinly dressed girl (Jasper) and presents
her to Jack. "Looks like we got one for you, Mr. Reynolds," Rita says. He
tells the girl she's going to be in a lot of trouble for being down in the
tunnels. "Why? We didn't hurt anybody," she tells him. He says, "You will.
As soon as you don't get up in time for the train." "Hasn't happened yet!"
she says and sits on his desk. Jack asks Rita what the girl's name is. She
replies, "She didn't have any i.d. on her. She told me I can call her Boxcar
Nina." "How charming," he says and they both have a good chuckle. He turns
around and tells Nina she's going to be in jail for being in the tunnels.
"Yeah sure," she says. "They can't keep me for very long, you know. And,
uh.. then I'll be back." He tells her not to be so sure and that he can
arrange it so that she'll be in jail for quite a while. "What do you think
of a few days or maybe a few weeks without a guy, huh?" he asks. Nina
bluntly replies, "Good thing I like women too." So now he asks her for a
list of names of all the people in the gang. She gives him names like
Whistler, Blower and Railman. "Does that help you any?" she asks
sarcastically. He frowns and tells Rita to keep an eye on her while he gets
the cops. Once he leaves, Nina says, "I get the feeling he's a little bit
of a tight ass! Maybe wifey-poo at home isn't completely satisfied." "What
would you know about it?" asks Rita. "I know what women want," Nina replies.
"Even those that get off on wearing a badge."
Over in an alleyway. A couple (Micky Lynn, Buck Adams) are making out.
"This really turns you on, doesn't it Connie?" he asks (since they never say
his name I'm not sure of the Whistler/Blower situation). "It was my idea
anyway," she says. "Yeah, it was your idea to make out a little bit. But I
suggest we take it further." "How far?" "As far as we can." "In an
alleyway??" "Yeah," he says. "Just think how exciting it would be if
someone was to look down from one of those windows.." They continue making
out. We cut to Rita and Nina getting it on in the office.
- Even though both girls have fake breasts, I really liked watching both of
them putting eachother through their sapphic paces. Tara starts off still
dressed in her blue uniform (she looks so stunning in it!) but quickly unwraps
herself of it to get more comfortable. Jasper is more in control and seems to
love rubbing her boobs with Tara's. They bring a dildo in eventually (which
is only used on Jasper) but then hop onto the desk and rub pussies in the
scissors position. Jasper is quite vocal and both girls look spent after
their semi-torrid tumble.
The girls are interrupted by Jack's return. "Officer Dykler," he yells.
"What the fuck is the meaning of this?!" She hides her face in embarrassment.
"Welcome back!" Nina tells him. "I just initiated her into the club!" Now
we cut to Connie and Buck having sex in the alleyway.
- Micky is definitely a sexual misfit with a nasty look in her eyes and the
overall appearance of the typical girl-next-door, but unfortunately this scene
doesn't reach any climax at all. They give eachother head and do a mish on the
hood of a car then hop onto a mattress for a doggie. For the closer, Micky
lays on her back while Buck stands over her and cums on her chest. Buck seems
a little jaded but Micky appears quite eager for more (like always). Too bad
she was wasted here...
A while later. Mr.Reynolds passes through the empty terminal and tells
himself he's going to fire his security staff. When he's gone, Connie and
Buck pass through. He points at the tracks and says, "That's where we do it.
Right down there." "Do what?" "Make it on the tracks. And you can't move
until you've had an orgasm. Not even if the train's coming." "That's
crazy," she says. "Yeah, it is kinda crazy. But that's what makes it hot.
See my friend Railman? He's down there right now with some guy's horny wife.
You know what? I think we're just gonna stick around and wait and see what
happens. Who knows? Maybe you'll like it. Maybe you'll wanna do it
yourself." Connie looks on, interestedly.
Down in the tunnel. We see Railman (Dick Nasty) with a woman (she's standing
with her back to us but we can clearly tell it's Marian). "Never expected to
find a sophisticated babe like you down here," he says. She turns around and
says, "You don't think I could have possibly let my husband shut this down
without playing the game at least once, do you?" "So let's play!" She tells
him to take his shirt off. After he does that, she takes over.
- Isis slowly works her tongue around his nipples then lowers herself to his
cock, in which she rubs her breasts over it through his jeans. She gives him
head (her technique was better displayed in her scene with Tedeschi) then
they do a doggie. It heats up, but then it's on to mish (so-so) then she
strokes him off on her boobs. Intercut with this is Rebecca Wild squating
down with her back against the wall, masturbating (where did she come from
and why is she here??). She looks nice and does a sensual solo, but this
whole scene comes off as ho-hum.
Jack heads into the tunnel with a flashlight and eventually spots the couple.
Railman takes off but Jack catches up to his wife. He stares at her,
shocked. "Marian.. I don't understand! What are you doing down here? You
ain't one of those perverts are you?" She plays with his jacket and tie.
"Well, Jack, you left me hungry.. but we can change that now." He says,
"But the train's gonna be coming through here any minute." "Even better,"
she smiles and pulls him closer to her. They start making out. As the
camera backs away, we hear an oncoming train in the distance. Fade out (no,
it doesn't mean they get hit. It just means 'the end' :-).
A mediocre effort from Stuart Canterbury, it could've used more enthusiasm in
its scenes (all technical values were passable). Tara is absolutely stunning
and Jasper is controlling. Their g/g bout topped the bunch in this offering.
Isis was ok too (more in her first scene than her second) and Micky was put
to complete waste (sigh). I guess fans of older looking women will find some
pleasure in Rhiannon's scene, but I wasn't really drawn to it. This video
may not keep your interest the whole way through but it might just give you
more ideas of where to experiment with your sexual partners. This is
certainly something you can't try at home but if you happen to be using a
subway one day and feel the urge to do it, then hey, who am I to stop you?
But renting this video or having sex down in those dark tunnels can both be
given one simple warning: do it at your own risk!
Joey Markham
[email protected]
Created: December 28, 1996 -- 12:48 PM
Last Updated:
Visitor:
169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late." HoME干别人老婆嗯啊小说
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