Date sent: Thu, 22 Aug 1996 00:23:59 -0400 (EDT)
From: Joey Markham
To: [email protected]
Subject: REVIEW: "Sexual Instinct"
This is the story of Leslie (Ashlyn Gere), a painter of nude models and whose
work isn't quite appreciated by her boyfriend Sean (Mike Horner) who is also a
painter (but doesn't paint nude subjects). Leslie tries to get her agent Ron
(Tom Chapman in a non-sex role) to ship some of her work into a well known art
gallery but the gallery owner Troy (Jon Dough) doesn't find the paintings
suitable to hang up on his walls to sell to the public. Troy gets Gloria
(Cassidy), his secretary, to ship the paintings back to Ron but they somehow
manage to find their way back into the gallery and surprisingly sell like
hotcakes. How they got back isn't clear (I guess Ron resorted to other
connections or maybe he bought them all himself to make Leslie happy?), but
this simple set-up only leads to a few incendiary performances (mainly by the
always incredible Ashlyn Gere) that might have you doing more than stroking
a few light touches with a paintbrush. :-)
SEXUAL INSTINCT
director: Eric Edwards, 1992. Dreamland Entertainment.
cast: Ashlyn Gere, P.J. Sparxx, Cassidy, Leanna Foxx, Melanie Moore, Mike
Horner, Jon Dough, Tom Chapman (non-sex).
rating: 2.75/4.00
scenes:
- Ashlyn Gere (masturbation)
- Ashlyn Gere, Peter North (blowjob only)
- Cassidy, Jon Dough
- P.J. Sparxx, Leanna Foxx / Ashlyn Gere (masturbation)
- Melanie Moore, Jon Dough
- P.J. Sparxx, Peter North
- Ashlyn Gere, Mike Horner
Things start off in Leslie's studio (which is in her home, next to her
bedroom) where she stands in front of her canvas (with its back turned to us)
painting a portrait of Joanne (P.J. Sparxx), a nude model posing on a chair.
Joanne asks how it's looking and Leslie tells her it's exquisitely beautiful
(somehow I doubt that - I mean, we all know Ashlyn Gere is a very talented
woman but painting is probably not one of her fortes since they aren't showing
us what it looks like :-). Leslie feels she's losing her concentration so she
calls it a day and phones up Ron to ask him if he's working on contacting
Troy's art museum. He says he'll be expecting a call soon enough and they end
their phone conversation abruptly. Leslie, who's sitting on her bed, takes her
shoes off and thinks back on Joanne, getting quite excited. So she lays back
and starts playing with herself.
(SCENE 1): We can always count on Ashlyn Gere to bring a scene to life - even
a single girl masturbation scene such as this one. Ashlyn starts off slow and
sensually, rubbing herself gently and taking off her clothes. She rubs her
clit faster (after turning over on her stomach) and cums. Not intensely, but
it's still a nice way to start the movie with a view of Ashlyn's glorious body
as she writhes at the touch of her own hands.
Over at the gallery. Gloria visits Troy in his office and tells him that it
sounds like someone is pressuring him into getting their paintings in the
gallery. He tells her that they're nude portraits and she shows an interest
in taking a peek at them once they arrive from shipping. Then she says she's
getting bored of their current, mundane collection. He smiles at her. Back
at Leslie's, Sean pays a visit and they talk about her work. He's thinking
she could put her talents into another area of painting but she tells him
that's her style - she's exploring eroticism because nude paintings go back
for centuries and after trying her hand at it, loved it ever since. She pokes
fun at him and asks when he's going to show her his latest "G"-rated painting.
He tells her not to make fun of his work then gets up to go to a business
meeting. Leslie goes back to the studio where she works on her latest subject,
a male model named Bob (Peter North). He sits with his back up and appears
quite nervous and stiff (no pun intended). She looks up from her canvas and
tells him he has a nice body. He nervously smiles back and tells her she also
has a nice body (but she's dressed). Then she asks him if he'd like to see her
nude, that perhaps it might make him feel more comfortable. She takes her
clothes off and says, "I want to show eroticism in my work and I will go to any
extremes to get it" - so she ends up stepping right up to him and gives him
a blowjob.
(SCENE 2): A decent, though brief, blowjob that ends with Peter supposedly
cumming inside Ashlyn's mouth, which she supposedly swallows. Peter doesn't
fake an orgasm as good as Ashlyn gives head, however.
With Bob all eased up, Leslie rushes back to her canvas to capture it all.
Hours later, Leslie receives a call from Ron who tells her that the paintings
have been sent to the gallery along with a little extra money as an incentive.
Over at the gallery, Troy tells Gloria the new shipment has arrived and she's
most interested at taking a look at the nude male paintings so they head into
another room to check them out. When they come back, Gloria can't get over
how life-like Leslie's work is and says, "Imagine the public reaction with
*those* in the gallery?". But he tells her he has some previous commitments
to some very important people, so he decides he can't hang them on his walls
after all. Gloria still can't get over the paintings she's just seen and tells
Troy she has sexual sensations all over her body. Wasting no time, he feels
those same sensations as he leans forward to kiss her and they do it on the
couch they're sitting on.
(SCENE 3): After taking off her top and revealing her nice, natural breasts,
Cassidy lays back as Jon licks her pussy through her panties. Then he parts
it to the side to get a taste of the real thing. While Jon takes off his
pants, Cassidy lightly strokes her pussy but then doesn't return the favor
by giving him head, she immediately rides him. After doing the cowgirl, they
do it like dogs (doggie style) then he pulls out and, without stroking himself,
cums on her ass. Nicely shot, but rather plain unfortunately.
Sean's telling Leslie, at her place, that she's throwing away valuable time and
that she's a very talented painter, but quite hard headed. "I'm not gonna
change my work just because some people don't like my style," she tells him.
"It's not a matter of style," he replies, "it's a matter of subject!". But
later on in her studio, she continues to paint several portraits of nude
models. She does one of two women (P.J. Sparxx and Leanna Foxx) but she cuts
it short by asking them if they would like to join her for lunch. They tell
her they're not hungry so she leaves by herself (well, actually, she steps
into her bedroom to spy on her two nude subjects whom she just knows are going
to fool around by themselves - and they do).
(SCENE 4): P.J. gets into it as Leanna licks her pussy, but she doesn't quite
do her squealing routine where she shuts her lips tightly and opens her eyes
wide. Then P.J. licks Leanna's pussy and Leanna enjoys it very much herself,
hitting the big O. Intercut with this is Ashlyn Gere masturbating up against
a wall.
Ron gives Troy a call to ask about the Leslie Collection and if he's going to
put them up on display. Troy tells him he needs a little bit more time to
think about it and their conversation ends soonafter. A while later, Troy
tells Gloria to get the collection together to ship back and she does so.
With Gloria gone from her desk, a model named Sara (Melanie Moore) steps into
Troy's office. It's not clear why she's visiting him (unless she was hired by
Ron to put the paintings up for sale - but that isn't made clear either) but
she takes off her clothes in front of Troy and he recognizes her from a nude
painting he's seen her in before. "Boy, do you look like your portrait," he
compliments. "Yeah, but I'm better," she slyly grins as she lowers herself
down to his crotch. "I *fuck*".
(SCENE 5): Melanie pulls down Jon's pants then gives him head. Melanie's
wearing a wig here (or extensions) but still looks cute. Then Jon licks her
pussy and fucks her mish style. Upon penetrating her, Melanie says, "Oh my
God!" as he pumps her faster. Melanie loves being on the receiving end and
they remain in this position the whole time until Jon pulls out and has her
jerk him off on her pussy.
After some more bickering about how she should choose something less taboo
to paint about, Sean and Leslie calm themselves down and decide to go out
that night, after their work shifts. So it's back to the studio for Leslie
as she sets up both Joanne and Bob on a couch. She poses them in several
positions first before finally deciding on something she likes and heads over
to her canvas. As she starts to paint, she introduces the two models to
eachother and tells them to get to know eachother a little bit better - and
they do, by kissing for starters.
(SCENE 6): After kissing, P.J. gives Peter a blowjob and from the way he's
moaning he seems to really like it. He licks her pussy after and she also
likes it well enough. They do a so-so mish and before they get into the
reverse-cowgirl, P.J. whispers, "I wanna ride you. I wanna get on top of
you and ride your cock like a horse". Then she jokes around and whispers
something like, "Tell me to stick my finger up your ass" and winks at him.
So they do the RC next (again, just so-so) and for the cumshot, Peter pulls
out from underneath and shoots up her belly, which she smears on her stomach
and breasts.
After the paintings have been shipped off (or so they think), Troy tells a
slightly depressed (but totally nude - ??) Gloria that they'll just have to
adjust. After their night out on the town, a very excited Leslie can't
believe how much fun she had and thanks Sean for taking her out. Then he
mentions the subject of painting and how they still managed to have a good
time even though they haven't brought up the same old issues that get them
going at eachother's throats. Then Leslie becomes intruiged with a thought.
"Speaking of painting," she says, "why don't I paint you?". Sean disagrees
with the idea but she tries to impose it onto him. "Come on, there's nothing
to be afraid of," she says as she gets up from the couch, "let me show you".
She starts undressing and tells him they've been together long enough that
it's time they get rid of their 'clothing facade' and remain with their
'bare essentials'. Fully undressed, Leslie tells him, "This is the real me".
When she makes her way over to him she says, "You know, our relationship
can't go any further until we make love". So she kisses him and they make
love.
(SCENE 7): They start off by kissing and embracing rather passionately, but
their attitudes turn wanton once Ashlyn starts to suck off Mike. Mike licks
her pussy very briefly (so brief that we don't even see it - they focus on
Ashlyn's upper body mostly) then they do a blistering mish. Mike even starts
grunting and plowing into her like a beast. They do a hot doggie-style poke
next and at one point, Mike just keeps himself still and lets Ashlyn buck back
and forth into him. Perhaps a little too much focus on their faces than on the
action itself, but it's still scorching. Mike pulls out and cums on her ass.
Both naked in Troy's office (??), he and Gloria are wondering how the nude
paintings ever got put up in the gallery walls, but they've all been sold out,
giving their place good business. Gloria mentions she'd like to thank
whoever was responsible for it. Ron gives Leslie a call with the good news
and when she tells Sean about it, he admits she's proven him wrong and to
make up for it, they end up having sex again. The end.
The storyline for this one was ok but a little incomplete in spots (like how
these paintings go from being shipped out to being put on display - unless we
just assume that when Ron gave a little incentive, someone else who works at
Troy's gallery (who we don't see) is responsible for it). Other than that,
we are presented with ordinary sex with extraordinary people (all the girls
looked very pretty). The camera work, editing, music and props were all
good but it's Ashlyn Gere that makes this production even better. Even the
role as Leslie suited her well enough, and she is one of porn's better
actresses anyhow so dialog is just one of the things that comes naturally
to her. Trust your "Sexual Instinct" when you see Ashlyn Gere's name on a
movie box and you'll be in for a real treat.
Joey Markham
Created: Thursday, August 22, 1996, 10:21:04 PM
Last Updated:
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169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late." HoME干别人老婆嗯啊小说
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