Date sent: Mon, 28 Oct 1996 22:33:47 +0000 (GMT)
From: Kuang-Jung Chen
To: [email protected]
Subject: Reckless Encounters
"Reckless Encounters" (1995) is a standard example of "cheap
porno" in the 90s. A "cheap porno" does not mean it was made with small
budget (most of adult movies made with small budget), but means an adult
movie does not deliver hot sex scenes. Except for some interesting plot
designs, most of audiences don't really care about stories (though some
gifted directors like John Leslie really can write good scripts), and
thus, the most important mission of a porno is to deliver hot sex scenes (of
course the definition of a "hot sex scene" is subject matter). Unfortunately,
lots of porn filmmakers today seem not to care about the "feeling" of sex
scenes anymore, instead only care about the "action" of sex scenes.
"Reckless Encounters" points out two most seriously problem of a
"cheap porno" which make most adult movies nowadays not as enjoyable as
before. First, sex scenes in this movie are short and "cold." second, too
many close-ups reduce the "feeling" of sex scenes.
"Reckless Encounters" is a standard porno which features 4 girls
and delivers 5 (including a g/g scene) sex scenes. They are all very
disappointed. The first scene features usually very hot Pat Kennedy. But
because of the bad camera angles and editing, I can't really see the
blowjob, and this scene made me sleepy. The second scene features Missy
and Tom Bryon. Missy is one of few new porn stars who are usually very
energetic in their performances. Just like Pat Kennedy, she is seriously
wasted in this movie. This scene is really a potential great sex scene:
Tom Bryon, a waiter, and Missy, a horny custmor, get fucked on the
dinning table. Unfortunately, we have a very short and cold sex, even the
facial can't save it. Then, Micki Lynn takes on two guys. Micki Lynn has
a sweet face and is always enthusiastic when she performs (you can check
"the Oh! Zone" which also starring beautiful Sunset Thomas and hot Kirsty
Waay). But, again, the bad filmming angles and editing ruin this
potential great threesome. The final scene features Jill Kelly and Mike
Horner. Jill Kelly doesn't always get involved very much in her
performances, so this scene didn't disappoint me as much as other scenes.
However, this scene is really too short; I can't even take a good look at
Jill Kelly's body and face, and her performances made me feel that Mike
Horners dick isn't into her; this scene made me feel that the director
just wanted to end this movie as soon (cheap) as possible. "Reckless
Encounters" really has an arguably all star cast (if Jill Kelly display
her occasional enthusiasm), but all the girls are wasted because of the
bad filmming skills, and mostly because of filmmakers' "cheap" attitude.
There is a key element which makes a hard-core a hard-core, but
also damages the feeling of sex scenes in a hard-core: close-ups.
Close-ups just make every sex scene looks like the same, and makes those
sexy pron stars irrelevant to an adult film. When 80% of a sex scene are
close-ups of a dick or two (sometimes three) in and out of a pussy or an
asshole, who can tell whose pussy is that? Or who cares whose pussy on
the screen? If audiences just like to watch pussies twisted with dicks,
they only need to buy one flick, and then watch it over and over again. A
sex porn star is attracted to audiences because of her face, her body,
her voice etc., not only because of her pussy. Furthermore, a sex scene
can relly turn audiences on not because of the display of pussy/asshole fight
with dicks, but because a beautiful, sexy lady get involved in a hot fucking.
If we lived in an age when close-ups are difficult to see, we may need a
porno contains lots of close-ups. But we don't; in the contrary, we have
more than enough. In my opinion, the best shot in a porno is a full body
shot including the display of penetration, and close-ups and body shots
should be balanced in a porno. However, close-ups are dominant in adult
movies nowadays, and excessive close-ups indeed damage lots of potential
good sex scenes.
In the second scene of "Reckless Encounters," when Missy starts to
get involved, the close-ups of huge pussy and dick shows up and the
penetration lasts three minutes; the exotic feeling is seriously disturbed.
When watching it, I would like to see Missy's sexy face and horny
performances, rather than to face a huge pussy twisted with a dick on the
screen. In the old days (sigh! just few years ago), I could edit a sex
scene by cutting out almost all close-ups and got about ten minutes hot
fucking with sexy face and body. But if I do the same thing with a sex
scene made after 1995, I only can get about three minutes of full body
shots or middle shots for faces. Lots of porno audiences has turned their
faith to watch soft-core version on cable. It's understandable because
they can find more full or middle shots of those sexy porn stars' bodies
and faces. To those audiences who have the same taste as I do, I
recommand them to check out "Spice" channel on cable. However, the
soft-core is not all that great. For instance, you will be disappointed
when you can't take a good look at blowjobs. To a big facial fan like me
will be very disappointed because there is no facial in a soft-core; at
the end of every scene, you only get a screammin' guy with his ugly face.
The best thing to do probably is to edit a hard-core and a soft-core
together, if you have the chance and energy to do it.
Most hard-core movies are "cheap porno." Does it mean audiences really
like and satisfy with those porno with cold sex and excessive close-ups?
I hope the answer is no; otherwise I should stop trying any thing after
1995 (seeing those sexy girls be wasted is really heartbreaking), and
watch old movies (before 1990) again and again.
Created: October 28, 1996 -- 10:27 PM
Last Updated:
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169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late." HoME干别人老婆嗯啊小说
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