Subject: [Hard] Review: Prague by Night
From BillC
Organization Organization: Southern On-Line Systems
Date Tue, 18 Jun 1996 15:49:13 -0700
Newsgroups rec.arts.movies.erotica
Since I've recently read that Rocco is leaving the industry, when i saw
this new Rocco release at the local porn palace I tripped over my feet
running up to the counter to rent it (especially since the last Rocco
release, Never Say Never to Rocco Sifreddi, was so incredible). Little
did i know that i should have saved my energy for pressing the fast
forward button on my remote. I probably fast forwarded through half of
this movie the first time i watched it. I have seen all of the US Rocco
flicks and IMO this is the worst of them all (but then I prefer the
movies that appeal to the raincoat crowd that Never Say Never appealed
to). THis film seemed heavily influenced by John Stagliano (who is
credited with a role in the film but never appears - at least in the
version i have) and has seemingly endless shots of women dancing and
shaking their ass. Because of a couple long boring scenes of women
dancing i was also reminded of Bruce Seven films where the camera wastes
film watching women do strip tease routines. This flick had absolutely
no A2M shots, none of the trademark Rocco spitting into mouthes or gaping
assholes, but did have many weak cum shots. Also, in the copy I rented,
the sound was horrible.
Anyway, for what it's worth here is a summary of the movie:
PRAGUE BY NIGHT
Production Date: 4-9-96
Produced and Directed by: Rocco Sifreddi
Starring: Rocco Sifreddi, John Stagliano, John Dough, Tunde, Martina,
Luzania, Maria, Maryna, Helen, Eleonor, Natalia, Lyudmila, Brigida, Olga,
Romana, Marketa, Marcela, Hana, Judith, marek, Luigi, Michal, Pavel,
Hakan, Standa and Teo.
The credits didn't match up the performers face with a name so I don't
know which names go with which performer.
Opening Scene:
This scene starts out in a garage that resembles a set i've seen in a
Bruce Seven movie. (I think this scene was probably filmed in the US)
Rocco is in a Cadillac car with another woman while a very pretty
brunette masturbates on the hood of the car. The girl in the car sucks
Rocco's dick for a few minutes and then gets in reverse cowgirl position
for a few minutes before they both get out and join the woman on the
hood. Rocco continues to fuck the less attractive of the (and there is
one P2M shot) two and then penetrates her ass at first with his finger
and then with his dick. Rocco then pulls out (edit) and shoots almost
all of his load into the mouth of the more attractive woman.
Rocco then says a few words (the sound is so bad i can't understand
anything he says) and the movie's Prague scenes begin.
Scene 2:
Rocco finds his way to a Prague titty bar and meets a plain looking
blond. There is way too much time taken up filming clothed dancers and
showing closeups of butts (ala Buttman movies). After seeming endless
time taken up watching fully clothed women dance around, Rocco leaves the
club with the blond and gets into a waiting limo. This is a typical porn
scene with the opening blowjob, cowgirl, etc. Rocco briefly penetrates
the woman's ass with his finger but never with his dick. After a few
minutes he comes onto the woman's face and mouth.
Scene 3:
The limo drops Rocco and the blonde off at another sex club. Rocco and
another guy pair up with 3 women (Rocco gets two of them) and start to
get blowjobs. There are the standard non-anal positions with the only
highlight being Rocco bending the women over side by side while he
spreads and licks their assess (no gaping assholes, spitting or anything
like that). The scene ends with Rocco and the other guy cumming into the
womens' mouthes. By this time I'm starting to wonder how good is this
flick going to be with 3 scenes gone and only one mediocre ass fuck
scene.
Scene 4:
In this scene, a blond woman sucks one guy off while another guy gets
sucked by a brunette woman with an incredible ass. The guy with the
brunette woman dp's her with his fingers and then she climbs on top of
him in anal cowgirl position (this is one of the best scenes in the
movie, but that's not saying much). The brunette then gets dp'd by both
guys until one guy decides to go back to the blonde. The remaning guy
starts ass fucking the brunette again in a spoon position. After an
edit, both guys cum into the faces of the two women.
Scene 5:
Next we have Rocco in a sex club again where he meets a long haired
brunette woman. While Rocco is walking around, the camera shows us
(another waste of film) two woman changing clothes getting ready for a
guy in the next room who wants to film them dancing. There is endless
amounts of time spent showing the two girls dance over the guy in the
room while occasionally the camera will cut to Rocco being sucked by the
girl he met. Eventually Rocco and the woman go to the door of the other
guy's room and start to watch him film the dancers. The guy with the
camera sees them and they wind up going in his room so that he can join
the fun. The two dancers leave and Rocco and the other guy take turns
getting sucked and licking the woman's ass. Eventually Rocco ass fucks
the woman then she is dp'd by them both with Rocco on top. There is an
edit and the other guy is laying on his back and cums on his stomach
(instead of on the woman's face and mouth which is less than an inch
away). Rocco then moves the girl ontop of him for reverse anal cowgirl
(the best scene of the movie) and eventually pulls out with her still on
top and cums on her cunt.
Scene 6:
A guy with a very hot blonde 69 each other, then cowgirl, then
missionary, then doggie style until he cums on her ass cheek. This whole
scene was only about 4 or 5 minutes.
Scene 7:
Next we have John Dough (and i think Stagliano off camera) waiting in a
square for Rocco to arrive. Rocco finally arrives and there is a lot of
dialogue but the sound quality is so poor i could understand less than
half of what was being said. Rocco and John Dough walk around for a
while in the streets of Prague and meet up with a small brunette who I
believe they said was Russian. After meeting her, they walk around some
more groping her ass and pulling up her skirt until the go into yet
another sex club where there are many men and women in various states of
undress. By this time i was bored and wanted the movie to end so I fast
forwarded through most of the scene. John Dough lifts the Russian onto a
table and starts to fuck her, Rocco hooks up with a blonde, another
blonde with a crewcut hair style sucks and fucks two other guys and a
brunette fucks a few other people. There were probably more people
involved in this scene but like i said, I was pretty bored by this point.
By the end of this scene, one brunette had been analed by Rocco, another
had been dp'd by Rocco and another guy, and the blond with the crew cut
had been dp'd by two guys. The movie ends with Rocco cumming in a
blondes mouth and John Dough cumming on the face of the Russian girl.
End of Movie
I don't suppose this was that bad of a movie, but it wasn't as extreme as
what most people have come to expect from Rocco. Personally, after i had
watched it, i wished that i had rented something else. Like i said
earlier, this reminded me more of newer Buttman releases (which i think
are getting worse with each new release) than it did a Rocco movie.
Anyway, this is only my opinion and I hope it helps someone else decide
whether or not to watch this. I would appreciate it if anyone who has
seen the European version would post what (if anything) was cut from the
US version.
Bill C.
Created: Saturday, August 10, 1996, 2:12:22 AM
169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late." HoME干别人老婆嗯啊小说
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