From: [email protected] Subject: REVIEW - Over 18, vol. 2 Date: Wed, 26 Mar 97 02:45:59 Organization: DIGEX Review: Over 18, vol 2. From: Heatwave Entertainment Running time: approximately 117 minutes Starring, Suzi Suzuki, Kimmi Ji, Lynn, Raquel Lace, Al Miller, Red, Tommy Gunn, Billy Glide Running time: 1:17 Rating 2.5 out of 5 Produced and directed by (sigh) : Cool Breeze Suzi Suzuki (E,Bj,F,A), Red ? Kimmy Ji (E,Bj,F), Billy Glide ? Lynn (E,Bj,F,A), Tommy Gunn Suzi Suzuki (E,Bj,F), Al Miller Raquel Lace, (E,Bj,F) Al Miller First off, I've never seen this series before, so I didn't know what to expect. It opens with a little bit of Al Miller driving around in the car and talking at the camera kind of stuff, not original, but serviceable. Actually, I was a lot more worried by the fact that they spelled Suzi's name "Susie", and the whole thing looked kind of like it was shot through a fish tank with a greenish tinge to it. So he comes upon Suzi Suzuki (a name that can actually be written in Japanese, which she is, unlike the name "Susie") dressed in a sort of ninja outfit, sans hood, practicing some sort of martial art. She seems to have a fondness for wearing outfits and costumes; it's sweet, but often far in excess of the requirements of the roles assigned to her. Also, I don't know if she knows any martial arts, but it doesn't look like it. Al comes up and she whirls on him, almost ... ahem, attacking him. They talk for a while and he convinces her to come back to his place for some "Bent-Over Monkey Style" of training. Back at the house, to prepare for the trianing, she takes off her clothes and he takes off his shirt, then tells her that he's decided to have her be trained by his friend "the Hip Hopper" (probably "Red"), a guy who's just come in. He lets Suzi smell a little incense, which leads to a little fingering, which leads to him eating her. Cut to her him banging her missionary style. Normally this criticism would wait until the end, but I should mention it now. Besides all the other things, the editing stinks so bad it actually got my attention. One second she's vigorously trying to get a rise out of his flaccid cock, the next second he's banging her. That oh-so-wondrous penetration shot, that first ray of sunshine from the dawn is gone in three spots, no apparent reason. Right in the middle of a moan or salacious word? Doesn't matter, time to cut to another shot, totally disrupting the flow of what's going on. There's a scene later where Suzi sounds like she's in the middle of a serious orgasm, and the camera is focused squarely on the guy! I've never edited a video, but that shot alone would cause me to slap my cameraman in the back of the head. Even I know better that that, and all I've done is watch! Somebody want to give me a job doing this? I can't be any worse. Anyway, he's banging at her and her pussy is so wet it almost looks like he's wearing a very shiny condom. She climbs on top for a reverse cowgirl ride, then bends over doggie for some anal attention. Then, almost as if to prove my point, there's a cutaway to a head and shoulders shot of him saying "I'm going to come," that could have been shot 5 days later, then another harsh cut to an inexplicable 10 seconds of some kind of missionary before he comes on her face. Next, we have Kimmi Ji entering the kitchen to climb up into the sink to do some douching with a clear plastic bulb; sexy, in the way that most medical procedures are sexy. She's got a tight little body, reminiscent of Kobe Tai's, but no boob job, a flatter ass, reddish hair and a baby voice. I'm sure her voice is bound to appeal to some people out there, but so does Pauly Shore. Enough harassment. Back to fucking. During the douching, a brunette guy with a mustache and goatee (probably Billy Glide) comes in to interview her for "Over 18 Magazine." He fingers her and goes down on her just after the douching. She goes down on him, then they do some missionary on the counter, then doggie, which is interesting, but very short. A boring scene at best and it generated absolutely no interest in future scenes with this woman. Next up is Lynn and Tommy Gunn. She claims to be Philippino, in this country for over a decade. She says she has a boyfriend, but in another city, so he persuades her to come back to his place for "something". Ahem. Once back he pushes her down and she willingly, almost non-plussed, takes his cock out and starts sucking on it. Some of this for a while, then he goes down on her. and we get to see her very ugly tattoo she has in place of pubic hair. Know why I hate tattoos? Unless it's done for some cultural reason, it's either an admission that "I have nothing worthwhile to say" or, "My body is not beautiful enough, so I'll try anything to improve it." Your body will NEVER be beautiful if you don't feel like it is. There's some missionary on the stairs, which looks as ungainly as it probably is. Cut to a doggie anal. Now, there's no entry shot, no verifying shots, and "his" prick and scrotum seem to be an entirely different dimension and shape than they are in the rest of the scenes. Can you say "stunt cock" anyone? At least that DOES appear to be her ass, even if they have a fake doggie scene on the stairs cut in to make it seems as if there's an anal going on. She appears to enjoy it; nothing spectacular and no noticeable orgasms, but not worth avoiding, either. She grunts and "yes"es, until a cut to her taking it on the tongue. Immediately after that we get Suzi again, this time dressed in a very fetching red Chinese dress and Al Borda, in jeans and a white T-shirt that shows off his many senseless tattoos on his scrawny arms. Normally, I hate to put any man down based on appearance, but this guy is skinny, not marathon runner or naturally skinny, but Bangladesh skinny, or up-way-too-late-in-clubs-probably-ingesting-suspect-substances skinny. He's got a raft of tattoos, immediately marking him as someone with nothing to say and determined to say it very loudly. He usually wears a pair of unimaginatively cool sunglasses and the prerequisite multiple non-metallic necklaces and bracelets, as any good faux rocker must if he is to blend in with the other pretenders (as opposed to the Pretenders). His hair is short and spiky, bleached blonde. He has shaved off pretty much all of his pubic hair; I understand male stars do this to make their penises seem larger and to make fellatio less of a hassle, but they don't cut it ALL off, for crimeny's sake. His penis is longer than average and a slightly unusual style in porno, and we see him in a scene right after the one with Suzi. There, he seems to have trouble getting hard and staying hard, so maybe he did that on the same day as the one with Suzi. Even then, his load is so small it looks like he either had sex before this, has had a vasectomy, or is the less-load gifted son of Randy West. Now, for men (namely, me) the guy is there mainly to be a sexual stand-in (for me). If he can't stay hard, it's obviously less exciting for the woman, disturbs the whole rhythm, and makes the whole thing less exciting. If his load is so small that I can't even tell if he's come AT ALL, then, if I'm not having a sort of "sympathetic orgasm" in time with the woman or some particularly nasty moment, but with him, coming on this woman, then I have no focal point for my orgasm. He might as well have never come, or maybe even come inside of her (if she's got some birth control), so we can at least get some face grimaces from him and some "I just came inside you"s. ANYway, he and Suzi sit on the bed while she pretends to be Suzi's twin ("Katie Kawasaki" Hah!) and asks to get some training in the "Bent Over Monkey" style and interviewed for the magazine. She bends over for him while he does a little light caressing of her backside and then he goes down on her. She undresses and he plays with her tits for a second, then BOOM! All of a sudden she's sucking on his rod and obviously has been for some time. He bends her head back for a little face fucking; oddly, this is the most exciting part of this scene, IMHO, and really shows that she's been working on taking some bigger cocks down her throat since her first appearance. Then they do some missionary, then cowgirl, then reverse cowgirl, then doggie before he cums (?) missionary on her face. To me, this scene never gets warmer than warm. He does no anal with her or last-up Raquel Lace. Maybe the women declined, maybe he didn't want to, maybe it never came up, but these are two women who apparently LIKE to visit that part of the state known as Hershey, and respond very enthusiastically to it, maybe more so than with other kinds of sex, so it seems a puzzling omission. Oh, well, that's one for the ages. Anyway, he talks very briefly with a half-undressed Raquel Lace. She sucks and tries to get him hard, but he never gets as hard as he did in the previous scene, which may have been prior to this one, even when he sort of stands over her. He bends her over on the couch and shows off her ass while she fingers and rubs herself. Then there's some doggie on the floor, which doesn't last long enough or go well enough to really get Raquel heated up. Then some standing doggie, and he comes (?) on her asscheek. I'd say to only get this one of you're a fan of Suzi, as I am. http://home.eznet.net/~reinhart "And I am a well-wisher, in that I don't wish you any... specific harm." Moe the Bartender The Simpsons"
169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late." HoME干别人老婆嗯啊小说 ENTER NUMBET 0017