Anabolic, Nasty Nymphos #9
QUICK SCENE REVIEW
Anna Malle Anna Malle molests Mark Davis on a double
and Marc Davis bed with a swell hep-cat bedspread.
Nici Sterling Nici and Sean on lazy day in Altadena, CA.
and Sean Michaels Camera caught as many shadows as action.
Still nice.
Presha, Mark Davis Friendly young pony-tailed brunette.
and Tony Montana Average screen presence but works hard
to please.
Nancy Vee Out on patio. Average. nearly identical
and Jon Dough with the patio scene she does in NN #10.
Clarissa Catz Cute, petite lively brunette creates real
and Gerry Pike chemistry with Gerry Pike. good scene.
Lovette, Dick Nasty Dynamic, short NatBlonde turns in a vigorous
and Mark Davis 3-way performance with DP, DPP and hammock
action. A good 'Lovette' scene.
Nasty Nymphos tapes have three strengths: The director often uses
strong, athletic performers; he benefits from good camera work and
editing; and he tries to develop a friendly warmth during a shoot that
sometimes inspires really remarkable performances.
Performers usually have done several Adult Videos before they shoot a
NN scene-- but most NN tapes have at least one honest newcomer. Scenes
are composed of a three-minute interview; four minutes of head and
muff; then they move to ten minutes of four or five standard
positions.You will get well-shot reverse cowboy, a good splay-legged
or raised-knee missionary, and rear- and mounted-doggies. Gyn shots,
anal scenes and facials are present but not usually of show-stopper
quality. Last scenes in several NN tapes were mini-gangbangs. When
inspired, NN performers get athletic and contort themselves into
positions that take unusual strength or flexibility--- Anabolic
*loves* body builders.
HERE'S WHAT YOU GET IN NN#10:
Six vigorous scenes, varying from 17 to 32 minutes. Two newbies; two
tough pros; one star. Three patio scenes, all marred by shadows. Five
incidental anals. One good twosome. One very good twosome with a
newbie. One very good threesome with a pro.
* * * * * *
SCENE ONE: Anna Malle and Mark Davis on a double bed with a hep-cat
black and white bedspread. Anna Malle continues her sexual slash-and-
burn march to the sea, this time with Mark Davis. Starting about
fifteen months ago, this cross-eyed rollercoaster of love has a
style all her own and an appetite matched by few-- Debby Diamond
comes to mind. She is vaguely latin, has a rakish smile, a cleft
chin, a valley-girl voice with a Marlborough Cigarette edge, a
deranged physical sense of humor and a tattoo on her (plastic) left
tit. This gal is a mutant.
This outing was laid-back as Anna's go-- a little foreplay; a little
muff; seven vigorous, pheremone-driven positions ending with a solid
reverse cowboy, which included good closeups of her small, muscular
snatch. I like AM, but I wouldn't want to run into her after she's
popped an extasy tab.
SCENE TWO: Nici Sterling and Sean Michaels on a patio somewhere in
the Hollywood Hills, overlooking the Los Angeles valley. The camera
didn't know how to adjust for outdoor lighting-- as a consequence,
much of the scene is either washed out or in shadows. Most close-ups
are are in shadows; medium shots are washed out. We lose a good Anal
doggie. This spoiled a nice, lazy but sensual performance by two
friendly professionals.
Nici Sterling is a soft, curvy, large-framed English honey-brunette,
mid 20s; tans easy. You'll like her large natural tits; I am in love
with her bright, striking hazel-blue eyes. Nici was a little
tentative handling Sean's rod but was still poised. They moved
through five easy positions from a splay-missionary to a doggie
anal, and end in a four-drop facial. Bad camera work and editing
demotes this very good scene to an average ride, mainly for Nici
fans.
SCENE THREE: Precia, Mark Davis and Tony Montana on Anna Malle's
hep-cat bed. Presha is 21, 5'5�, cute but not curvy, real med-small
tits (delicious!), brunette; pony-tail. She's the newbie on the
tape. Presha needs more screen presence-- but that could be because
the cameraman was just not trying to find flattering angles hard
enough during the shoot.
Presha tried hard and enjoyed herself when she warmed up, but she
held few revealing poses and provided only a few brief gyn shots of
her nice, tight pussy. The sissor was good; during the reverse
cowboy, she almost rolls her hips (I like it when my partner moves-
- don't you?). Presha doesn't know how to pose and move in front of
a camera yet, and needed more help from Mark and Tony than she got.
Still; her persistant sincere newbie enjoyment made this scene above
average for me.
SCENE FIVE: Nancy Vee and Jon Dough, phoning in their performances
to the patio setting familiar to all Nasty Nymphos viewers. Nancy
Vee is a slim, cool, 24+, 5'4�, poised, very pretty Asian-Irish
lust-bunny new to weightlifting and to Adult Videos. She has Asian
tits, Irish eyes, a discrete sprinkling of freckles, a bad ankle
tattoo, and an nice, tight pussy. Weights have helped shap her
tummy, her ass, her thighs, and have given her some real shoulders
and lats, and a nice posture. She looks good. ... She has lots of
screen presence and knows it-- she likes Jon but remains more
consious of the camera than of Jon through the whole shoot.
This loop lacked intensity. Both performers relied on their physical
attractiveness to make up for their lack of intensity-- it was as if
they were hung over but had to shoot the loop anyway. They both
patronized each other a little. Nancy turns in a good reverse cowboy
toward the end of the loop. There were no memorable close-ups. She
works roughly and furiously hard on Jon's joint and he blows ten
splattering drops somewhere near her face. She was out of position-- a
sign to me that she's still learning the tricks of adult performance.
Still; Nancy Vee could become an incendiary star this year, if she
would lose a little of that discrete-but-bitchy pretty-girl attitude;
and learn to spread her legs whenever the camera points her way. Watch
for Nancy Vee, coming to a box cover near you.
SCENE FIVE: Clarissa Catz and Gerry Pike for nineteen minutes, on a
familiar and very sturdy patio lounge chair near the Nasty Nymphos club
pool. Lucky Gerry. ... Clarissa is a petite, cute, bubbly, little-girl
fun-toy; maybe 22, big tits, spirkling eyes, a long nose and soft chin
line. She has skinny legs, very pale skin, a caesarian scar and a
nasty tattoo on her ankle. She does not project a glamorous presence to
the camera-- but when she turns on, she projects a real, enthusiastic
lust for sex. From New Jersey; she's new in town and looking for the
rollercoaster. She almost finds it here.
Clarissa and Gerry turn in an athletic performance, moving through six
or seven action positions. Half way through, Gerry stands with
Clarissa still mounted on his joint. He holds Clarissa while she grips
his waist with her thighs, and they go at it for twenty seconds or so.
Clarissa also holds a splay-legged shoulder stand for Gerry to to some
upside-down-and-backwards work. They do a well-shot doggie Anal. The
scene ends in a poor facial. This scene was full of enthusiasm. The
camera caught most of it, but did get caught in the shadows more than a
little. I want Clarissa for Christmas this year.
SCENE SIX: Lovette, Dick Nasty and Mark Davis in a family room. Lovette
is now on every third box cover on the 'new' rack in my local video
store. She no longer can call herself �new�. Just in case you've been
in Saudi Arabia all year and missed her entry into the business; try
this tape. It's the best loop I've seen Lovette perform in so far.
L is a sawed-off tractor of lust in lipstick and a blonde wig. Solid,
stacked with plastic, she is friendly, direct but a little submissive,
and has a natural poise and camera-sense that saves any badly shot
scene she's in. This year; that's been quite a few. She's on my short-
list of girls with brains: Lovette, China Lee, Francesca Le; Nikki
Arizona just offhand. Brains matter-- brains get enthusiastic and save
scenes and produce pheremones. Brains are sexy.
This loop is a *good* three-way. Lovette works splay-legged a lot, and
this creates good gyn shot opportunities. There's a little finger fun;
three or four standard positions; a bad hammock scene-- and then a very
good Double Penetration. When it starts, Lovette looks at the camera
and says in a surprised voice, �I've got two dicks in me!!�
NOTE: To be *good*; a DP must be well-lit; in focus; the image we
see must be properly framed with a stable camera; provide
at least one good sustained close-up of heavy action;
and show two hard (not semi-hard) dicks stroking deeply
within their assigned orafaces. All his doesn't happen
often: It did this time.
We also get a DPP-- almost as good, but they had to make a couple of
tries before they got it right. Scene ends in a dribbly, splattery 4 1/
2 squirt facial.
169 ¡°I can arrange all that.¡± Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,¡ªwith the tangle of lies and deceptions, cross purposes and trickery,¡ªsucceeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors¡ª" "Oh, I've found a way of gitting shut of them rootses¡ªthought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly¡ª"it's getting late." HoME¸É±ðÈËÀÏÆÅàÅ°¡Ð¡Ëµ ENTER NUMBET 0017