From alt.sex.movies Mon Apr 24 11:22:26 1995
Newsgroups: alt.sex.movies
Path: msuinfo!agate!headwall.Stanford.EDU!nntp.Stanford.EDU!opera!phantom
From: phantom@opera
Subject: Indecent Offer
Message-ID: <[email protected]>
Sender: [email protected] (Mr News)
Organization: DSG, Stanford University, CA 94305, USA
References: <[email protected]> <[email protected]>
Date: Thu, 20 May 93 20:12:41 GMT
Lines: 34
Status: RO
In article <[email protected]>, [email protected] (Drunkfux) writes:
|> In article <[email protected]> [email protected] (Drunkfux) writes:
|> >
|> > New Adult Releases : Monday, May 17, 1993
|> > -----------------------------------------
|> > Indecent Offer
|>
|> This should answer the "how long before they rip off Indecent Proposal?"
|> thread.
|>
I've seen the movie already, (Actually I saw it last week so I
saw it before May 17th) and it's not bad as cheap porno ripoffs go.
The twist to this movie is that this girl knows about this
billionaire who regularly goes around propositioning married women for
a $1 million. So she gets the idea of marrying some guy she gets
from the classifieds, cavorting in front of the billionaire like some
newlyweds in love, and then getting the money.
Not too much plot to get in way of the sex. The movie's main star
is Sarah Jane Hamilton, a young British redhead who has the
ability, like Fallon, to squirt when she comes. The last scene of
the movie is well worth waiting for. In it, Sarah Jane fucks the
billionaire played by Jonathan Morgan and squirts about 3 times
although only one squirt is really highly visible. The scene
is obviously real -- Sarah Jane gets amazingly wet very quickly with
a little fingering, she then squirts while Morgan is fucking her.
The most visible squirt is when Sarah Jane is on top so she can
pull away from Morgan to time to let us all see her drip on her partner.
The movie also stars old standby Bionca in a lesbian scene with Sarah Jane,
and newcomers Jessica Fox, a petite blond with big tits, and
Deborah Wells, a tall skinny brunette with a foreign (German?) accent.From alt.sex.movies Fri Jun 4 07:14:55 1993
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From: [email protected] (MILLER, JIMMY A.)
Newsgroups: alt.sex.movies
Subject: REVIEW: "Things Change: Letting Go"
Date: 2 Jun 1993 18:00:46 GMT
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TITLE: "Things Change: Letting Go"
Vivid (?), shot on film
STARRING: Nikki Dial, Deidre Holland, Steve Drake, Paula Harlowe, Jon Dough,
Francesca Le' Heather Hart and Nikki Wilde
DIRECTOR: Paul Thomas
First a little apology; I forgot to write down some of the stuff I normally
do when reviewing, so I may have some details wrong. Please correct me if I
get something wrong, and I hope any errors on my part don't cause problems for
anyone.
Premise: Nikki and Diedre are lesbian lovers on the outs. In part 1 ("My
First Time") Nikki discovers men can be okay after all, and decides she needs
to get out on her own, moving out on Deidre. In this installment, Diedre hires
Drake to break Nikki's heart and turn her off men and back on to Diedre.
Folks, this is a *good* movie. It's a thin porn plot, but a lot more real
than most, and the non-sex acting is actually fairly credible. Granted, I've
seen better HS actors, but it's still a step up from the regular tripe. In
addition to Paul Thomas's normal efforts at realistic motivations and such,
most of the sex scenes here have a generous helping of heat to them.
If I have a general gripe here, its the lack of Dial. Where the first of
this 2-parter concentrated on Nikki (as I recall) this seems to focus on
Diedre. Dial only has 1.5 scenes in this. I think a better story could have
been done if we had skipped the second sex scene (see below) and added another
with Ms. Dial, or just lengthened her second appearance, or just added a whole
other scene.
On to the scenes:
SCENE 1: Takes place in a lesbian bar. Francesca offers Diedre some solace
over her loss of Nikki in a nice bathroom scene that includes a short-lived
female voyeur. Fran also explains about her boytoy Drake.
SCENE 2: Same bathroom, but now Drake is doing Francesca while Heather Hart is
doing Nikki Wilde in the next stall. I believe we see Fran do some anal here
but my memory is a little fuzzy. Also a good scene, though I think Wilde is
a little wasted here, wish she did more "mainstream" porn, but hey, if she
likes bondage, who am I to say?
SCENE 3: Diedre, who's a masseuse (masseur?), is giving Paula Harlowe her reg-
ular rubdown. Paula figures out Diedre's down and convinces Deidre to let her
assuage that loneliness. I wish I had friends like these, that's twice in
three scenes she's gotten sex to help her feel better. So they do the lesbian
bit very nicely until Paula's hubby (and Diedre's real-life hubby) Jon Dough
comes home. Paula gets Diedre to stay and have sex with the three of them
(which, if you recall, Paula had planned to do since the first movie). Minor
quibble in that Diedre takes to het sex a little too easy (should have had Dough
work on her a bit more), even though its more realistic to me than Nikki Dial's
"discovery" in Part 1. BTW, did I mention this is a very good scene? :-)
SCENE 4: Well, here's where Nikki's been hiding. Drake plays a photographer
type, and he woos Dial (who works in a developer's) and takes her on his boat
for some sexy photos. Nice cheesecake shots of Dial, and then the sex hits.
Nikki looks as appealing as ever, but the use of a straight soundtrack, all
music, no sounds from our performers, detracts from the sexual value of the
scene. IMO, of course, that's just the way I prefer things. Afterwards, Drake
proceeds to act like a jerk (as he was paid to do) to break Nikki's heart. He
does, and she runs back to Diedre, as planned.
SCENE 5: I hesitate to call this a full scene, its more like a quick vignette.
It's Diedre and Nikki in a very short bit of lesbian sex, where we're reminded
that Deidre is the dominant one in this relationship. It has some major pot-
ential, but its cut short for unknown reasons.
Drake feels bad and tries to apologize to Nikki, and lets the cat out of the
bag. Dial is understandably pissed and leaves Diedre again. Finis.
Good stuff here, people. I'm going to take a page from AVN or somebody and
start grading on both technical merit (plot, directing, sound, etc) and sexual
heat. I give this sucker 4 1/2 stars on tech merit and a sexual rating of
very, very hot.
till next time folks,
Jammer Jim Miller
--
Texas A&M University '89 & '91 | Life Wanted: | You don't have to be a Marine
"Beauty...survives." | Apply Within | To be Semper Fi.
169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late."