From alt.sex.movies Mon Apr 24 11:22:26 1995
Subject: REVIEW: Two from Patrick Collins
From: Heretic
Date: 13 Jun 1995 15:03:09 -0400
Status: RO
This is the shortest review I've written recently (1290 words). For the
second time this month, I've beat the print media (AVN, AFW) to the punch.
Enjoy. "As always, let me know what you think" :-)
-Ron
------------------------
I was at the video store last night and had already decided on
_Sodomania_. Looking around for something else, I spotted the Elegant
Angel logo and pulled out the box to take a look. _Fazano's Student
Bodies_. I saw Kyrsti Waay was in it along with some other good
looking girls. Then I saw Roxanne Hall was in it. I gasped, put the
box with my other one and promptly walked toward the register. :-)
I'll start with Sodomania. It's an older video-1992-before I was even
watching porn. John Stagliano is listed as the keeper of record and
the music is by John Furthur (of Buttman fame) and someone else. I
don't know if these two consitute the now oft used "GlenLyn Music", but
I have always enjoyed John Furthur's 'scoring' of Buttman films.
Patrick's early days.
Four vignettes, with Kiss masturbating before and introducing each one.
First up are Cheri Lynn, Francesca Le + Randy West in "I came, I saw,
I came again" Randy's plays a pornographer, Francesca his assistant,
Cheri a girl who's been wanting to get in for over two years. I think
Cheri is actually Cody O'Conner, but I'm not certain. It's a hot
encounter, with lots of the foreplay elements I love (breast play, face
kissing) giving way to incredibly energetic sex. The energy level here
was extremely high on all fronts. Francesca sees some anal action with
plenty of dirty talk and screaming (so loud it bottomed out the mikes
in places). Randy delivers a decent shot (for Randy :-) on Cheri's
chest. Only thing that bothered me was Cheri's smoking. I can't stand
girls who smoke-unless they're smoking clove cigarettes. Other than
that, a fantastic scene with Cheri getting off an innumerable number of
times.
Tony Tedeschi gives Nicole London a really royal anal drilling in the
next scene, "Hot Cross Buns". She's on her shoulder blades with her
ass in the ass. Is there a name for that? Upside-down? Tony shoots
it right on her puckered asshole. Fans of anal sex and especially
shots of women's assholes after anal sex will love this one.
Tiffany Mynx and Roscoe Bowltree provide another fantastic scene in
"This Little Piggy" As the name implies, it's a foot fetish scene.
Bowltree picks up Tiffany + takes her back to his room. She polishes
her toes in the bathroom before she massages Bowltree's cock with her
feet. I really enjoyed the Buttman influence in this scene because
you've got a really great subject-Tiffany! And cameraman Michael Cates
(Is he a eunich?) does a fine job. Tiffany is wearing a real nice
purple dress and we get some good tease here. One image the sticks out
is Tiff on her knees with the tight dress uncovering half her ass. I
LOVE that! This scene also provides a lesson in how real breasts
behave - when Tiffany pulls of her dress and then her bra, you see the
way that real breasts fall due to gravity. Tiffany has such beautiful
breasts + an incredible ass (like I need to say that!). It takes a
real female worshiper to show off her body properly - Stagliano did in
in Face Dance I and now Patrick&Cates do it. Anyway, back to the sex -
Bowltree comes on her feet and she licks it off. I'm definatley gonna
get this tape again when I get a bigger television set for this scene
alone. Tiffany is so sexy + beautiful in general, but she really stands
out in this scene.
Brittany O'Connell (credited as Brittany here - not to be confused with
Paula Price's sister) cons her way into the home of Lacy Rose and Rick
Masters. It's Buttman's house BTW. Such a nice to guy to lend his
house to Patrick for a shot :-) Lacy has total control over Rick as
she bosses her around and then sends him out to get something to drink.
Meanwhile, Brittany slowly seduces Lacy and then takes control and
Lacy becomes totally submissive. She makes Lacy videotape (using
Buttman's Canon A1) Brittany and Rick have sex who now also turns
dominant. Great anal action with Lacy at the end. A twist to the
ending of the vignette as well. I won't spoil the surprise.
Adam Film World called it halfway between Buttman and heaby Bruce 7 and
Ed Powers influence, and you can certainly see the influence of those
three here. I found this to be the best non-Buttman, non-Golden/silver
[Aa]ge fifth I've seen lately. Kudos to Collins for this incredibly hot
tape. Only minor sound problems (screaming causing the sound to bottom
out) hold this tape back. Fans of anal, Tiffany Mynx, foot fetishists
and those who like just plain hot sex here will all find something
here. The vignettes to setup the sex scene are well done and help to
keep the tape from being just another wall-to-wall series.
Next we move on to _Fazono's Student Bodies_. This is a work of total
Collins self-indulgence. It is Patrick seducing young looking girls
and then fucking them while holding the camera. I suspected he does it
because he can, and Patrick confirms this at then end of the tape.
There are a lot of really great looking girls here (all real breasts):
seven from Hungary, three from the US and on Brit. The scenes are
pretty long on shots of the girls and short on sex, which is good.
Unfortunaltey, you don't get to see much of the girls when Patrick's
having sex with them. I also got tired of Patrick always jerking off
into their faces. Also, it's not Buttman video when it comes to
showing off the girls. Here's the notes I took on the girls:
Melissa Monet: _incredible_ nipples, foot play
Kyrsti Waay: oral cumshot, which she swallows. See some stretch marks
(I love 'em)
Rachel Love: I don't remember what I said about her in my Buttman Big
Tit Adventure 3 review, but WOW. Totally awsome voluptuous babe.
Really nice stretch marks (I LOVE those-I love to run my hand over them
- they feel so sexy!)
Alona, Ursula, Szilvia, Anika, Lulu, Edina: Hungarian babes Monika: has
good girl/girl with Aniku. Girls looked into each other
Roxanne Hall: Everyone's all hung up on Uma Thurman because of that
scene of _Adventures of Baron von Mun..._ where she looks like Venus in
Botticelli's _Birth of Venus_. Let me tell you, it's Roxanne Hall who
is in that painting :-) She is so incredibly cute. She makes a turn
for the nastier as she does anal here with Bowltree. OK shower tease.
Also nice was the way she lifted and kissed each of her breasts - it
don't look like that with plastic ones. She seems to smile as she
kisses each one - it's really a must see for Roxanne fans.
Tons and tons of female masturbation, pussy + cock sucking. The formula
grows tired quickly but the variey of girls keep the film afloat. I
suppose if you've seen the Fazano character before you either love him
or hate him. I hadn't seen him before and he wasn't my cup of tea.
Patrick says he's frustrated because he just wants to fuck the girls
but her has to shoot them on video. I think the viewer will the
frustrated because they will want to see more of the girls. A no-win
situation. I mean Patrick makes this videos so he can fuck these girls
essentially.
If you like the Fazano character, you'll probably like it. If you
don't like him, you won't. If you haven't seen Mr. Fazano, I'd check
out one of the Sodomania videos that has him in it to see if you like
it or not.
169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late."