From [email protected] Mon Aug 14 22:59:42 CDT 1995
Article: 72265 of alt.sex.movies
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From: Lazlo Toth <[email protected]>
Newsgroups: alt.sex.movies
Subject: REVIEW: "Sex" by Vivid/P.T.
Date: 14 Aug 1995 18:48:38 GMT
Organization: CompuServe, Inc. (1-800-689-0736)
Lines: 105
Message-ID: <[email protected]>
Status: RO
Review: "Sex" - Vivid '93, D: Paul Thomas
Cast: Nikki Dial, P.J. Sparxx, Mimi Miyagi, Rasha Romana
Rocco Siffreddi, Tom Byron, Mike Horner, Terry Thomas
If this vid has already been reviewed here, pardon me - -
I didn't see it in the archives, but then, you know what
they say about eyesight and . . .
I was ready to write off Vivid Video as a loss altogether
until I picked up this spicy little offering. Of course, it
took only one name - - Nikki Dial - - to draw my attention.
And we do get Nikki here in all (or at least most) of her
glory. Don't rent this one if you're looking for a Crystal
Wilder performance; there isn't one, even though she's in
the opening credits.
The plot is something about office politics and the
use of sex in corporate ladder climbing. Funnyman Mike Horner
is well cast as the office nerd who finds himself unable to do
much more than ogle beautiful women and dream of what he'd
like to do with them.
The opening scene finds us in the home of yuppies Terry Thomas
and P.J. Sparxx, who are hosting a cocktail party. Everyone has
a date save Horner, who charms the gathering with his piano
playing. As the party breaks up, Horner is invited to spend the
night to sleep off his booze.
The first sex scene involves P.J. and Terry Thomas. Thomas is
kind of a kiddish looking fellow, rather skinny and with a
receding hairline. But he has impressive endowment and keeps
it up well for lovely P.J.'s ministrations. I couldn't get over
how cute P.J. was here, and her caramel-colored skin and flaw-
less bum were flatteringly captured. We get to see some good
T-style fucking, some 69, nice cock sucking. The two talk through-
out the scene, which I found to be erotic. The climactic moment
comes at the conclusion of some nice doggying, at which point,
with the camera shooting low, close, and from behind, we see
Thomas cut loose with a shower that had me checking to see if
it could have been faked. This kid is loaded! P.J.'s ass and
glowing slit are well irrigated, and I quit counting at about
10 shots or so.
In the next room, Horner has been listening to all this and is
about ready to hurt someone. He falls into a fitful sleep and
dreams of Nikki, who, perched atop the grand piano, fingers her-
self and beckons to the disbelieving Horner. We end up with Nikki
on her back, head hanging off the side of the piano as she swallows
Horner all the way to the nuts. He finally shoots on her chest.
Upon awakening, Horner hears his hosts getting it on in the shower.
Nothing too special here - - the two give each other head, Thomas
comes between her tits.
Next, we go to the office. Byron is looking sleazy here, in an
unfamiliar black-haired incarnation. There is a little office
talk, then we get the Rocco-Nikki coupling. These two make a
nice looking duo and they seem hot for each other here. I won't
go into the plethora of positions, except to say that Nikki gets
pounded HARD on a desktop and treats us to a fine RC. Great
shooting here, nice mix of close-up and full body. Unfortunately,
an opportunity for a good facial is missed as Rocco, out of
character, produces less force and volume than usual. Still, a
good scene, and the RC is one to remember - - could have been
longer, though.
We go next to Horner, at home watching a video. We are pulled into
the scene Horner is viewing, and it turns out to be - - two people
I don't recognize. I gather this is an outtake from some other
Vivid flick. Whatever the case, it's pretty hot. A cute lass with
short, dark hair and a pretty face, lean body, gets pounded on what
appears to be a massage table. The girl is small, the guy is large,
and the anal scene is enough to make even the viewer uncomfortable.
Scene concludes with a strong facial - - not a monster, but satis-
fying.
The final scene gives us Horner and Miyagi together, and Byron and
Romana. Strange that, of all the scenes in the movie, this one
probably had the most potential, but ultimately delivered the least.
Nothing at all out of the ordinary, just straight sucking and fucking.
I'm having a difficult time watching anything with Byron in it these
days, as his overexposure and general weirdness (here we have him
with shoe-polish hair, an earring and a nipple ring) detract from
any scene. IMHO, as always. Rasha, though, has a certain dark-eyed
sluttiness that I find to be a turn-on, as well as a great pair of
legs and nice ass. Good low-and-close footage of her sucking on
Byron's tool. Miyagi and Horner are totally boring.
The verdict: a vid that pleasantly surprised me, and one that let me
know PT can do decent work when the spirit moves him. High marks for
putting together a generally attractive cast and hiring some good
help in make-up. Camera angles were nicely varied, and P.T. does know
how to make the ladies look good. I hear Sex II is even better. Not
one for the Leisure Time or Max Hardcore crowd, but better than average
(B/B-) for the mainstream crew.
-Lazlo
--
There's a lot to learn
>from wasting time.
-Neil Young
169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late."