From [email protected] Tue Feb 21 13:10:16 EST 1995
Article: 49037 of alt.sex.movies
Message-ID: <[email protected]>
Newsgroups: alt.sex.movies
From: [email protected]
X-Anonymously-To: alt.sex.movies
Organization: Anonymous contact service
Reply-To: [email protected]
Date: Mon, 20 Feb 1995 22:07:57 UTC
Subject: Re: Wanted: Standing, Walking, Posing
Lines: 405
Status: RO
In article <[email protected]> you wrote:
: I enjoy watching sexy women standing, walking, and posing while
: wearing miniskirts, shorts, high heels, stockings, etc.
: I also like women who have "full" legs and butts, such as Nina Hartley,
Movies directed by John Leslie, Paul Thomas or Andrew Blake tend to be
better than most for this, although many think the sex is boring.
The Leslie films Hot Scalding and Dog Walker were really hot.
Christina Angel is a little slimmer than the women you mentioned, but
she looked real hot in Dog Walker and Bottom Dweller Part Deux (a
Patrick Collins movie) wearing apparantly the same white stockings
laced up the back.
Also I find the Frederick's of Hollywood catalog to be real hot -
they'll send it for free 800-323-9525.
I'll include an old post by Dunbar reviewing John Leslie movies.
I edited to put the ratings lines up front.
CyberSpunk
Subject: John Leslie Director's Videography
##Nightshift Nurses
c 42/5V/3E 1987 VCA, John Leslie
##The Chameleon
c 52/4V/3E 1989 VCA, John Leslie
##Playin' Dirty
c 38/3W/3E 1990 VCA, John Leslie
##The Pillowman
c 41/3H/2E 1988 VCA, John Leslie
##Slick Honey
c 41/1C/2E 1989 VCA, John Leslie
##Going Down Slow
c 38/5H/3E 1988 VCA, John Leslie
##Hot Scalding
c 52/4V/4E 1989 VCA, John Leslie
##Second Skin
c 41/4V/1E 1989 VCA, John Leslie
##Mad Love
c 38/4V/3E 1989 VCA, John Leslie
##Oh What a Night
c 36/4W/2E 1990 VCA, John Leslie
##The Catwoman
c 41/5V/4E 1988 VCA, John Leslie
##The Tease
c 38/4V/2E 1990 VCA, John Leslie
##Curse of the Catwoman
c 41/4V/4E 1991 VCA, John Leslie
##Strange Curves
c 43/4V 1990 VCA, John Leslie
##Bad
c 36/3H 1990 VCA, John Leslie
##Hate To See You Go
c 42/4V 1991 VCA, John Leslie
##Top It Off
c 34/4V 1991 VCA, John Leslie
##Laying the Ghost
c 38/4H 1992 VCA, John Leslie
##Angels
c 34/4H 1991 VCA, John Leslie
##Chameleons
c 38/4V/3E 1992 VCA, John Leslie
##Anything That Moves
c 43/4H/2E 1992 VCA, John Leslie
##Bare Market
c 32/4H 1993 VCA, John Leslie
##Nobody's Looking
c 32/3H/2E 1993 VCA, John Leslie
##The Rehearsal
c 38/4V 1993 VCA, John Leslie {115}
## Bad Habits
c 28 1994 VCA, John Leslie
# Dog Walker
c 42 1994 John Leslie, Evil Angel
# Nurse Tails
c 31 1994 VCA, John Leslie
# Sexophrenia
# The Voyeur
##Nightshift Nurses
c 42/5V/3E 1987 VCA, John Leslie
. Dana Dylan, Lynn Francis, Joey Silvera
. D.J. Cone, Steve Hennessy
. Sheena Horne, Bionca, Peter North, Lynn Francis
. Keisha, Jose Duval
. Siobhan Hunter, Peter North, John Leslie
. Bionca, Joey Silvera
. Lois Ayers, Steve Hennessy
##The Chameleon
c 52/4V/3E 1989 VCA, John Leslie
. April West, Scott Irish
. Debi Diamond (Hanson), Tom Byron
. Victoria Paris, Tori Welles, Peter North
. Pamela Rose, Lynn Francis, Ray Victory
. Victoria Paris, Buck Adams
. Tori Welles, Tom Byron
. Selena Steele, Joey Silvera
. Tori Welles, Buck Adams
##Playin' Dirty
c 38/3W/3E 1990 VCA, John Leslie
. Heather Torso, Joey Silvera
Selena Steele, Jamie Gillis
Sasha Strange, Tom Byron
. Rene Morgan, Jamie Gillis
. Rene Morgan, Ron Jeremy
. Rachel Ashley, Jamie Gillis
. Rene Morgan, Marc Wallace
. Heather Torso, Tom Byron
Sasha Strange, Selena Steele, Ron Jeremy
##The Pillowman
c 41/3H/2E 1988 VCA, John Leslie
* Chanel Price, Peter North
. Tammy Reynolds, Brandi Wine, Joey Silvera
. Aja, Peter North, FM Bradley
. Rene Morgan, Tony Montana
. Britt Morgan, Peter North
##Slick Honey
c 41/1C/2E 1989 VCA, John Leslie
. Sasha Strange, Jamie Gillis
. Selena Steele, Rachel Ashley, Marc Wallace
. Heather Torso, Gene Carrera, Mike Horner
. Rachel Ashley, Selena Steele, Sasha Strange
. Charli, Joey Silvera
. Sasha Strange, Marc Wallace
Rachel Ashley, Mike Horner
##Going Down Slow
c 38/5H/3E 1988 VCA, John Leslie
. Shanna McCullough, John Leslie, Ona Zee
. Kathleen Jentry, Bob Bullock
. Dana Lynn, Joey Silvera
. Shanna McCullough, Bob Bullock
. Kathleen Jentry, Peter North, Tom Byron
. Dana Lynn, John Leslie
. Alicia Monet, Megan Leigh, Bob Bullock
##Hot Scalding
c 52/4V/4E 1989 VCA, John Leslie
. Pamela Rose, Damien Cashmere, Joey Silvera
. April West, Megan Leigh, Kathleen Jentry, et al.
. Megan Leigh, Ron Jeremy
. Bionca, Jamie Gillis
. April West, Damien Cashmere
. Kathleen Jentry, Joey Silvera
. Cheri Taylor, April West, Blake Palmer, John Smith
##Second Skin
c 41/4V/1E 1989 VCA, John Leslie
. Cheri Taylor, Mike Horner
. Charli St. Cyr, Jamie Gillis
. Cheri Taylor, Damien Cashmere, Joey Silvera, Jamie Gillis
. Ona Zee, Jamie Gillis
. Ona Zee, Mike Horner
. April West, Pamela Rose, Joey Silvera
##Mad Love
c 38/4V/3E 1989 VCA, John Leslie
. Aja, Damien Cashmere, Jon Dough
. Kendal Marx, Jon Martin
. Brandi Wine, FM Bradley
. Rene Morgan, Aja
. Britt Morgan, Jon Dough, Damien Cashmere,
Brandi Wine, Tony Montana
Rene Morgan, Rick Lee
. Kendal Marx, Damien Cashmere, Jon Dough, Tony Montana, Rick Lee
##Oh What a Night
c 36/4W/2E 1990 VCA, John Leslie
. Selena Steele, Randy Spears, Eric Price
. Cheri Taylor, Sean Michaels
. Claire Tyler, Jon Dough
. Nina Hartley, Marc Wallace
. Selena Steele, Nina Hartley, Jon Dough
. Claire Tyler, Jon Dough
##The Catwoman
c 41/5V/4E 1988 VCA, John Leslie
. Kathleen Jentry, John Leslie
. Laurel Canyon, Ray Victory
. Veronica Hall, Derrick Lane
. Alexa Parks, Peter North, Buddy Love
. Kathleen Jentry, Nikki Knights, Megan Leigh
. Kathleen Jentry, Joey Silvera
##The Tease
c 38/4V/2E 1990 VCA, John Leslie
. Rayne, Marc Wallace, Randy Spears
. Selena Steele, Peter North
. Ashlyn Gere, Tom Byron
. Lauren Hall, T.T. Boy
. Selena Steele, Randy West
. Lauren Hall, Randy Spears
. Lauren Hall, Randy West, Selena Steele
##Curse of the Catwoman
c 41/4V/4E 1991 VCA, John Leslie
. Ashley Nicole, Raven, T.T. Boy, Jamie Gillis, Rocco Siffredi
. Selena Steele, Patricia Kennedy, Rocco Siffredi
. Zara Whites, et al.
Racquel, Derrick Lane
. Selena Steele, Raven, Marc Wallace
. Selena Steele, Randy Spears,
Alexandria Quinn, Rocco Siffredi, Marc Wallace
. Selena Steele, Raven, Tom Byron
##Strange Curves
c 43/4V 1990 VCA, John Leslie
. Victoria Paris, Buck Adams, Ray Victory
. Sasha Strange, Kelli Warner, Joey Silvera
. Victoria Paris, Scott Irish
. Charli, Tom Byron
. April West, Joey Silvera
##Bad
c 36/3H 1990 VCA, John Leslie
. Lauren Hall, Randy Spears, T.T. Boy
. Iesha, Marc Wallace
. Madison, Iesha
. Madison, Peter North
. Ashlyn Gere, Iesha, Marc Wallace
. Rayne, Marc Wallace
. Michelle Monroe, Joey Silvera
. Iesha, Tom Byron
##Hate To See You Go
c 42/4V 1991 VCA, John Leslie
. Selena Steele, Eric Price
. Lauren Brice, Joey Silvera, Marc Wallace
Selena Steele, Eric Price
. Lauren Brice, Randy Spears
. Nina Hartley, Eric Price
. Selena Steele, Marc Wallace
Claire Tyler, Joey Silvera
. Claire Tyler, Randy Spears
##Top It Off
c 34/4V 1991 VCA, John Leslie
. Madison, Marc Wallace
Ashley Nicole, Tom Byron
. Patricia Kennedy, Peter North
. Ashley X, Joey Silvera
. Patricia Kennedy, Randy Spears
. Madison, Ashley Nicole, T.T. Boy
Ashley X, Marc Wallace
##Laying the Ghost
c 38/4H 1992 VCA, John Leslie
. Taylor Wayne, Peter North
. Savannah, Peter North, T.T. Boy
. Bridgette Aime, Savannah, Joey Murphy
.&Taylor Wayne, Joey Silvera
. Taylor Wayne, Angela Summers
. Savannah, Tom Byron
. Angela Summers, Peter North, T.T. Boy
##Angels
c 34/4H 1991 VCA, John Leslie
. Bridgette Aime, James Lewis, Joey Murphy, Jake Steed
. Alicyn Sterling, Angela Summers, Joey Silvera
. Missy Warner, T.T. Boy
. Alicyn Sterling, Jamie Gillis
. Angela Summers, Tom Byron
. Savannah, Peter North
##Chameleons
c 38/4V/3E 1992 VCA, John Leslie
. Fawn Miller, Tim Lake
. Ashlyn Gere, Rocco Siffredi
. Diedre Holland, Rocco Siffredi
. Diedre Holland, Ashlyn Gere
. Diedre Holland, Jon Dough
. PJ Sparx, Jon Dough, Micky Ray
##Anything That Moves
c 43/4H/2E 1992 VCA, John Leslie
. Selena Steele, Joel Clupper
. Tracy Wynn, Randy Spears, John
. Cassidy, Tim Lake
. Heidi Kat, Tim Lake, John
+ Selena Steele, Tracy Wynn, Steve Drake
##Bare Market
c 32/4H 1993 VCA, John Leslie
. Nicole London, Woody Long
* Francesca, Peter North
. Alex Jordan, Sunset Thomas, Tom Byron
. Nicole London, Chris News
d 10/05/93, Videos Tonite, 6.00
##Nobody's Looking
c 32/3H/2E 1993 VCA, John Leslie
. Sierra, Tom Byron
. Lacy Rose, Chris News
. Sunset Thomas, Peter North, Tony Tedeschi
. Kelly O'Dell, Tom Byron
. Celeste, Nicole London
. Arianna, Woody Long
. Lacy Rose, John
##The Rehearsal
c 38/4V 1993 VCA, John Leslie {115}
. Cody O'Connor, Rocco Siffredi
. Traci Prince, Brittany O'Connell, Tom Byron
. Lydia Chanel (Julia Sow), Joey Silvera
. Lydia Chanel, Debi Diamond, Mark Davis {dp}
. Jane A, Joey Silvera
. Angela Faith, Rocco Siffredi, T.T. Boy
## Bad Habits
c 28 1994 VCA, John Leslie
. Dianna Lauren
. Diedre Holland, Tom Byron
. Tiffany Minx, Randy Spears
. Diedre Holland, Deborah Wells
. Angel Ash, T.T. Boy, Ted Craig
. Diedre Holland, Mark Davis
. Sasha Strange, Jon Dough
# Dog Walker
c 42 1994 John Leslie, Evil Angel
* Kristi Lynn, Jon Dough, David Pollmen
* Christina Angel, Tom Byron, Jake Williams, Alex Sanders
* Isis Nile, Stephen St. Croix
* Christina Angel, Alex Sanders
* Maeva, Lana Sands, Joey Silvera
. Christina Angel, Stephen St. Croix
# Nurse Tails
c 31 1994 VCA, John Leslie
. Angel Ash, Joey Silvera, Cash
. Tiffany Minx, T.T. Boy, Jon Dough
. Sasha Strange, Tom Byron
. Brittany O'Connell, Randy Spears
. Brittany O'Connell, Angel Ash
Deborah Wells, Sasha Strange, Cash
. Tiffany Minx, Mark Davis {A F}
I haven't seen:
# Sexophrenia
Key: [Press 'n' now, if you've seen it before]
# Title
c [Ratings] [Year] [Video Company], [Director] [{Time}]
. scene list
Explanation of ratings:
Letter My
Grade 1-10 Rating AFW HEVG AVN Comments
+-----+-----+---------+--------+---------+-------+---------------+
| A+ | 10 | 55-59 | 5H 5V | 5E | 5A | Excellent |
| A | 9 | 50-54 | 5W 4V | | | |
|-----+-----+---------+--------+---------+-------+---------------|
| A- | 8 | 45-49 | 4H | 4E | 4A | Very Good |
| B+ | 7 | 40-44 | 4W 3V | | | |
|-----+-----+---------+--------+---------+-------+---------------|
| B | 6 | 35-39 | 2V 3H | 3E | 3A | Good |
| B- | | 30-34 | 3W | 2E | 2A | Fair |
|-----+-----+---------+--------+---------+-------+---------------|
| C | 5 | 25-29 | 2H 3W | 2E | 2A | Poor |
| C- | 4 | 20-24 | 2W | 1E 2E | 1A 2A | |
|-----+-----+---------+--------+---------+-------+---------------|
| D | 2 3 | 15-19 | 1W | 0E | 1A | Awful |
| F | 1 | 10-14 | 1C | | | |
+-----+-----+---------+--------+---------+-------+---------------+
From: [email protected] (Dunbar)
Date: Mon, 28 Nov 1994 11:16:04 UTC
Subject: Review: The Voyeur
# The Voyeur
c 30 1994 Evil Angel, John Leslie
. Kristi Lynn, Tom Byron, et al
. Pandora
. Sheena, Marc Wallace, Jerry Pike
. Pandora, John A, John B
. Tony Montana, Draghixa, Stephen St. Croix
Plot: John Leslie is a voyeur
Kristi Lynn drags the voyeur into a bar and he watches her get gang banged
by the patrons.
Suddenly we are at Pandora's house. Pandora is slightly manish looking
brunette. I think this is due to her short hair and her long, blockish
features. She has a terrific ass, though. She does some tease for John
and asks him to set her up with a couple of guys. When she has to get
the guys herself she kicks John out. The guys come over, but they go
into the back bedroom where we can't see. There are some whipping sounds.
Next the voyeur asks some people at a hotel if he can video their threesome.
A long boring scene ensues. I'm not impressed with Sheena (Goddess of Lust).
She looks OK, but I didn't see anything that would justify her title.
Now were back at Pandora's. This time we get to see her fuck a couple
of guys on her couch. I like the voyeuristic aspect of some of the
scene being shot from outside through, and I love Pandora's big ass, but
we don't get to see enough of it.
Next, Draghixa picks-up John at a bar and takes him back to her place.
Draghixa is gorgeous and does some teasing for John. It looks like John is
about to get lucky when the boyfriend (Tony Montana) returns. John gets
shoved out the back door, and Tony gets a blowjob.
Then Tony's boss, Stephen St. Croix, shows up. Seems like Tony has been
skimming money from his boss, so Stephen shoots hims. Draghixa comes in
and helps Stephen move the body to the next room. Then they fuck.
Afterwards, the voyeur beats a hasty retreat and "to be continue..."
appears on the screen.
This video really sucks for a John Leslie feature. John Leslie is no
Buttman. He's too creepy. He ought to go back to making slick, dark
features like Second Skin, and Strange Curves.
The biggest problem with this video is it's just too damn slow. It's nearly
two hours long, and there's really only four sex scenes.
I believe AVN (or was it Adam, or Hustler) gave this a bad review too.
-------------------------------------------------------------------------
To find out more about the anon service, send mail to [email protected].
Due to the double-blind, any mail replies to this message will be anonymized,
and an anonymous id will be allocated automatically. You have been warned.
Please report any problems, inappropriate use etc. to [email protected].
169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late."