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Date: Wed, 10 Aug 1994 11:16:35
VCA Platinum
released 1994, produced 1990
Dir: Andrew Blake
CAST:
Zara Whites, Savannah, Kelly Jackson (Racquel Darrian),
Amber Lynn, Jeanna Fine, Viviana, Nina Alexander (Julia
Parton), Zorena, Randy West, Jennifer Kingsley, Brad Gerig,
Capri Danell, Peter North, Marc Wallice, Bridgitte Monroe,
Tera Heart, Blake West, Jon Dough, Ashley Lauren, Marc
Francis, Casey Williams
SYNOPSIS:
Zara owns an art gallery. (Zara does not do the voice
over) Similar to Secrets in structure (Ashlyn talks about
vignettes; Zara talks about vignettes).
SCENE DESCRIPTIONS
NOTE: I have taken the liberty of naming the scenes. Also, Zara
appears in most of the scenes as a cutaway, so I have not
listed her as a performer in the scene unless she really part
of it. Also, most all of the scenes are shot without ambient
sound.
"The Painter"
Savannah, Jon Dough
A long, slow fuck. "Zara" narrates, while Zara masturbates. The
Jon/Savannah pairing is "sensual" (read: slow and long). She is
totally without emotion, much like Blake. She is just a beautiful
thing getting fucked. He eats, fucks, she blows him, then he cums
on her ass.
"The Staircase"
Amber Lynn, Zara Whites, Jeanna Fine, Nina Alexander, Peter North,
Viviana
My, what small tits Jeanna has! And Amber looks strikingly like
Janine, star of Hidden Obsessions. Nina and Jeanna get it on,
while Amber and Zara watch from above. Zara and Amber masturbate
with dildoes. Everyone looks hot, though the action is tame.
Peter North and Viviana enter, and Jeanna and Nina move away.
Peter eats Viviana then fucks her vigorously, doggie then a ride
'em cowgirl. Two more girls are masturbating on the stairs, but I
do not know who they are -- they do not seem to be Nina or Jeanna.
Viviana blows Peter and he, in turn, blows a MONSTER load on her
face.
"Poolside, or Boy, am I wet..."
Zara Whites, Marc Wallice
More of the same. Zara gets nailed against a wall. He cums on her
box/belly.
"Take my picture, Mister"
Kelly Jackson (Racquel Darrian), Derrick Lane, Photographer
Derrick and Racquel show us something we've never seen before --
them fucking. The pictures that Racquel poses for are artistic,
but sexy? Nah. Maybe, at most. This has a little ambient sound,
but not much. He shoots a pretty decent load on her face.
"Paint Me Tickled Pink"
Ashley Lauren, Zara Whites, Brunette Girl, Photographer #2
Body painting on canvas. Pretty cool, actually. Paint is slopped
on our lovely models who then press themselves onto the canvas
covered floor. Cool shapes. The girls eat each other out. The
guy, poor fella, gets to kiss and feel a little, but nothing more.
Flies out at second.
"Freeshow! Semour!"
Amber Lynn, Zara Whites, Randy West, Brunette Girl #2
Zara, Randy and the Brunette (name??) put on a show for Amber who
watches and masturbates from a perch high above on a balcony. Good
stuff from Amber. Zara gets fucked, brunette gets fucked,. Randy
tit fucks the brunette, then drops a huge load (by Randy's
stadards) onto her chin and neck. Decent. Her tits are bigger than
his dick.
"Designing Woman..."
Zara Whites, Sandra Scream (credited as ???), unknown blonde
Look out MTV, Andy's in town! Mostly soft-core fondling in sepia
and over-exposed film look. Zara looks on and touches herself
distractedly. A touch of 'lingus from the blondes. Where's Woody
Long when we need him?
"You again?"
Zara, Savannah
Savannah is back, but not as the artist we met in Episode One, but
as a model. Zara invites her "back to her place" and they kiss a
lot, then fondle each other, then eat each other. Savannah gets it
from a gold tipped dildo, which actually makes her move. (LaserDisc
owners, on slo-mo, you can really see her hips move!) Fade to
blue.
CONCLUSION:
Though I am feeling particularly ornery and
iconoclastic tonight, this was nothing special. I feel we have
seen all there is to see from Mr. Blake's bag of tricks. Due to
the age of this piece, it almost seems like a Savannah tribute, but
the pre-death advertising in AVN belies that fallacy.
The big selling point of the flick is its three facials. The
number of scenes, though more than a standard flick, is much less
than a normal Blake shoot. That was kind of disappointing.
A pretty scene doesn't do it for me anymore. I have been spoiled
by too much quality from Andrew Blake, and need more from him...
Something I do not think I will ever get. To Mr. Blake, I feel I
have seen enough.
RATING
One of Blake's lesser outings... 2.00
Check out information for this movie at Heretic's Adult Film Database: Desire (1990).
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Created: Sunday, October 29, 1995, 7:42:01 PM
Last Updated: Monday, October 30, 1995 - 9:26:28 PM
169 “I can arrange all that.” Such Apaches as had not gone back on the war-path returned to the States with the troops; but there were five months more of the outrages of Geronimo and his kind. Then in the summer of the year another man, more fortunate and better fitted to deal with it all, perhaps,—with the tangle of lies and deceptions, cross purposes and trickery,—succeeded where Crook had failed and had been relieved of a task that was beyond him. Geronimo was captured, and was hurried off to a Florida prison with his band, as far as they well could be from the reservation they had refused to accept. And with them were sent other Indians, who had been the friends and helpers of the government for years, and who had run great risks to help or to obtain peace. But the memory and gratitude of governments is become a proverb. The southwest settled down to enjoy its safety. The troops rested upon the laurels they had won, the superseded general went on with his work in another field far away to the north. The new general, the saviour of the land, was heaped[Pg 305] with honor and praise, and the path of civilization was laid clear. Parliament met on the 10th of January, 1765. The resentment of the Americans had reached the ears of the Ministry and the king, yet both continued determined to proceed. In the interviews which Franklin and the other agents had with the Ministers, Grenville begged them to point to any other tax that would be more agreeable to the colonists than the stamp-duty; but they without any real legal grounds drew the line between levying custom and imposing an inland tax. Grenville paid no attention to these representations. Fifty-five resolutions, prepared by a committee of ways and means, were laid by him on the table of the House of Commons at an early day of the Session, imposing on America nearly the same stamp-duties as were already in practical operation in England. These resolutions being adopted, were embodied in a bill; and when it was introduced to the House, it was received with an apathy which betrayed on all hands the profoundest ignorance of its importance. Burke, who was a spectator of the debates in both Houses, in a speech some years afterwards, stated that he never heard a more languid debate than that in the Commons. Only two or three persons spoke against the measure and that with great composure. There was but one division in the whole progress of the Bill, and the minority did not reach to more than thirty-nine or forty. In the Lords, he said, there was, to the best of his recollection, neither division nor debate! His cheek paled for an instant as the thought obtruded that the man might resist and he have to really shoot him. "Good, the old man's goin' to take the grub out to 'em himself," thought the Deacon with relief. "He'll be easy to manage. No need o' shootin' him." "Them that we shot?" said Shorty carelessly, feeling around for his tobacco to refill his pipe. "Nothin'. I guess we've done enough for 'em already." John Dodd, twenty-seven years old, master, part of the third generation, arranged his chair carefully so that it faced the door of the Commons Room, letting the light from the great window illumine the back of his head. He clasped his hands in his lap in a single, nervous gesture, never noticing that the light gave him a faint saintlike halo about his feathery hair. His companion took another chair, set it at right angles to Dodd's and gave it long and thoughtful consideration, as if the act of sitting down were something new and untried. "Besides," Norma said desperately, "they're only rumors—" "Oh, I've found a way of gitting shut of them rootses—thought of it while I wur working at the trees. I'm going to blast 'em out." During the next ten years the farm went forward by strides. Reuben bought seven more acres of Boarzell in '59, and fourteen in '60. He also bought a horse-rake, and threshed by machinery. He was now a topic in every public-house from Northiam to Rye. His success and the scant trouble he took to conciliate those about him had made him disliked. Unprosperous farmers[Pg 124] spoke windily of "spoiling his liddle game." Ditch and Ginner even suggested to Vennal that they should club together and buy thirty acres or so of the Moor themselves, just to spite him. However, money was too precious to throw away even on such an object, especially as everyone felt sure that Backfield would sooner or later "bust himself" in his dealings with Boarzell. "Let's go home," she said faintly—"it's getting late." HoME干别人老婆嗯啊小说
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